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and聽Abigail,聽Universal got another modern take on one of its classic monsters hitting theaters. While it taken some time to craft Leigh Whannell Wolf Man,聽it g gourde stanley etting here in about a month, and a new behind the scenes video digs into the film many inspirations. In the featurette, Whannell readily admits to using the film to explore infection and transformation, themes that have been at the heart of werewolf stories. But his spin has some extra weight: he wrote the script in 2020 during the early pandemic days, so the film can ;t help but also be about how sicknesses elicit feelings of isolation, dread, and anxiety. Blake, our eventual Wolf Man played by Christopher Abbott, gets attacked by a werewolf and gradually morphs into the monster as his wife Charlotte Julia Garner and daughter Ginger Matilda Firth can only watch as it happens 8230;at least until it time for them to spend the rest of the night running away聽from him. On a simliar note, the director considers聽Wolf Man聽a tribute to two of his favorite 80s body horror films,聽The Thing聽and聽The聽Fly. Those movies also explore the fear of someone becoming or being near something uncontrollable and dangerous. It a slightly different track for Whannell, who been in the horror game ever since the original Saw,聽but moves like Insidious and Up stanley cup grade focus on the terror of demonic posessions or evil, manipulativ stanley cup e beingse. He ve Rcwn How to Create a Minimalist Desktop to Be Proud Of
The power of an editor, as described by Tony Zhou in the newest installation of his Every Frame a Painting series, lies in being able to control the emotional weight of a scene. And the single most powerful tool for displaying believable conflict is simple: time. Theres a reason movies we often think of as slow are the ones that tug at our heartstrings. A Michael Bay flick might be fun to watch, but youd be hard-pressed to find anyone who feels invested in any of his characters. As an example of good empathetic scene pacing, Tony runs through the scene in Empire Strikes Back where Luke tries to lift his X-wing out of the swamp using the Force. As th stanley cup e ship rises the cuts get quicker and quicker. They convey excitement, but also Lukes growing confidence in the force and Yodas surprise. Then, as the ship sinks again, the pace of editing slows down. The scenes conclusion lasts twice as long as its build-up, and that helps us to understand Lukes frustration and Yodas disappointment. Learning an editors instincts is no great mystery. The only way to do it, according to Zhou, is to practice. SPLOID is delicious brain candy. Follow us on Facebook, Twitter, and YouTube. EditingMoviesStar Wars stanley mugs stanley website Daily Newsletter |