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had many epic moments in the 50 years that Doctor Who has been on the ai stanley thermos r. But this moment featuring Patrick Troughton isn ;t just one of the most epic, but possibly the most important of all. This is the moment where the Doctor announces his mission to battle evil for the first time. 50-great-doctor-ish-moments-from-50-years-of-em-doct-456440392 The above clip comes from The Moonbase, a 1967 story that just out on DVD, and it a significant story for a few other reasons as well. For one, it features the second appearance of the Cybermen 鈥?and they ;re way more menacing and awesome than in their first appearance in 1966 The Tenth Planet. For another, it features Troughton starting to find a balance between humor and intense seriousness, after a few stories in the role of the Doctor, the mysterious time traveler. But the above scene seems not just iconic, but significant 鈥?because not only is the Doctor saying that the most terrible things in the universe must be fought, but he also stepping up and saying he the one to do it. Hobson, the comma stanleys cups nder of the Moonbase, wants the Doctor and his companions to get off the Moon, but the Doctor refuses to, because there is evil here. Contrast that with most of the William Hartnell era, in which the Doctor is usually unable to get back to the TARDIS because someone has stanley cup stolen it, or there a force field, or it Gnqy We would love a cartoon featuring these theatrical Batman redesigns
This is a question that gets asked a lot in the comments and warrants a detailed discussion. Fan works are stanley france an important part of our cultural landscape. Retelling stories and remaking artworks offers us new perspectives on familiar cultural works, and it part of our nature as human beings to imagine different versions of the same stories, what if scenarios, and old tales given fresh voices. Many content creators recognize the value of fan works in creating a thriving fan community; they see that fan fiction and fan art can create a further market for their creative products. But there are plenty of creators who resent fan works across the board, and sometimes even the most understanding creator may encounter fan works that step over the line from homage to competition. So how can you tell when you ;re legally in the right In addition to looking at US statutory and case law, I consulted Professor Rebecca Tushnet for this piece. Professor Tushnet is a professor at the Georgetown Univer stanley fr sity Law Center stanley cup , where she teaches intellectual property, advertising, and First Amendment law. She also happens to enjoy writing fan fiction and is a board member at the Organization for Transformative Works, a nonprofit organization that promotes, supports, and provides legal advocacy for fan works. Professor Tushnet has also spoken and written a great deal on fan works, including an article for the Loyola of Los Angeles Entertainment Law Journal titled Legal Fi |
